Contact Improvisation

Juliet began dancing contact improvisation in 1983 in London and began teaching Contact Improvisation in 1986.  She has taught workshops and classes in England, the Netherlands, Italy, Singapore, the USA, New Zealand and Australia.

Five weeks of Contact Improvisation classes and jams – open to all levels
Led by Juliet Shelley 
Thursdays July 16th to August 20th
 
6.45pm to 8.30pm
 
The Dance Studio, 
Toi Poneke Arts Centre
69 Abel Smith Street, Te Aro, Wellington 
 
$50 for five classes & jams paid as a block in advance
Registration:
Payment is by Pay Pal or by internet banking to: 02-0544-0035682-001
Leave your name, cell no and RC as references – thank you
 
Special event! 
Musician Carlos Riegel plays live music 
for the jam on Thursday August 6th
 
“Every part of me feels very alive—turned on, awake, present, ready, both comfortable and on my edge, sharpened and softened, deepened and extended, challenged and soothed, and physically and energetically tuned to myself and others.” Nancy Stark Smith
 
‘A spreading out, a re-distribution of attention, of energy, of focus, a releasing, an opening, a reconnection, a connection, a sensitising, a softening, a re-awakening, a re-balancing, a celebrating, a joining, a deepening, a lightening, a receiving..’ Juliet Shelley

The ABC of Contact Improvisation

We begin by establishing an embodied and fluid relationship with our bodies, the breath, the floor, earth and space. We experience the ‘skinesphere’  – everything that is contained within the boundaries of the body – and the relationship of the body with gravity, the floor and the earth.

We release our weight and mobilise our physical mass, allowing sensation, skin, surfaces of the body, weight and our connection to the floor to guide our motion. We explore yielding, rolling, sliding, creeping, pushing, pulling, crawling, and finding supports. We sequence, spiral, flex and extend and reach, moving from the spine and centre to the limbs and peripheries and back to the spine. We explore high tone, low tone and travel along the floor, up to standing and back down to earth again, expanding our awareness to include others and the room.

Moving in contact with a partner, experiencing gravity and the forces of counterbalance, supports and weight. We negotiate and navigate physical pathways through space in contact with each other. We explore being passive, active, receptive and directional, learning to trust ourselves and our bodies and to read and respond to the physical information we are receiving in a moving duet.

Contact Quarterly Magazine